VOLUME VI, NUMBER 4 (Autumn 2018)
Weaving Sanctity: The Textile Relics of St Cuthbert by Elisabeth Cremeens, Dallas Museum of Art 1-25
The Music of Angels in Byzantine and Post-Byzantine Art by Amy Gillette, Barnes Foundation 26-78
Determining the stylistic origin of the Toledo Gate (La Puerta de Toledo) in Ciudad Real, La Mancha, Spain Using Terrestrial Laser Scanning by Kamila Oles & Kaitlyn Kingsland 79-111.
Review: Of Earth and Heaven. Art from the Middle Ages (London, Sam Fogg, 2018) by Julia Faiers Doctoral student, School of Art History, University of St Andrews – 256-259
Review of Renana Bartal, Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts (London and New York: Routledge, 2016) by Laura Slater, Somerville College, University of Oxford –260-271 APPROVED
VOLUME VII, NUMBER 1 (Spring 2019)
The Black Death and Painters’ Remuneration in the Kingdom of Majorca by Doron Bauer, Florida State University 112-122
Medieval Architecture and Technology: Using GPR to Reconstruct the Choir Screen at Santa Chiara in Naples by Lucas Giles, University of Cambridge, Doctoral Candidate, 123-160.
Traded, then Venerated: The Fictitious Sacred Histories of Two Nasrid Vases by Andrea M. Ortuño, Bronx Community College, CUNY, 161-184 .
Bench ends in the Church of St John the Baptist, Bressingham, Norfolk, UK by Richard Hayman, Independent Scholar, 185-255 .
Review of Mailan S. Doquang. The Lithic Garden. Nature and the Transformation of the Medieval Church. New York: Oxford University Press, 2018 by Gili Shalom, Tel-Aviv University – 272-277.
Review of Costanza Beltrami, Building a Crossing Tower: A Design for Rouen Cathedral of 1516 (London: Sam Fogg/Paul Holberton Publishing, 2016) by Kyle Killian – 278-283.